Description
Born in Cuba, raised in Puerto Rico, and now living in Miami, Martínez-Cañas assembled the pieces of her multifaceted identity into a totem by using a complex photographic process. She drew cubist patterns and abstracted natural forms on large-scale negatives, incorporated images drawn from Cuban colonial maps and pre-Columbian art, and printed them in black-and-white. These hybrid forms announce her multiple cultural connections and recall the paintings of Cuban artist Wilfredo Lam.Our America: The Latino Presence in American Art, 2013
Gelatin Silver Print
Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program