Description

Declaring “jazz is my adventure,” composer and pianist Thelonious Monk opened new avenues of musical expression with highly original works marked by dissonance, unorthodox syncopation, and inventive figurations and runs. As the house band’s pianist at Harlem’s Minton Playhouse in the late 1930s and early 1940s, Monk jammed with other young musicians such as Charlie Parker and Dizzy Gillespie, who were in the forefront of the nascent bebop revolution. His seminal composition “’Round Midnight” was first recorded in 1944 by Cootie Williams’s orchestra, with Bud Powell on piano. Three years later, the Blue Note label issued Monk’s first recordings of his own compositions, including “’Round Midnight” and “Well You Needn’t.” His performing career languished for much of the 1950s after a drug arrest cost him his New York City cabaret license. But in 1957, when Monk reemerged—now fronting a quartet that included saxophonist John Coltrane—he captured the acclaim that had formerly eluded him.“El jazz es mi aventura”, decía el compositor y pianista Thelonious Monk, quien inauguró nuevas vías de expresión musical con obras de gran originalidad, caracterizadas por disonancias, síncopas heterodoxas y figuras y melismas de gran inventiva. Como pianista de la banda del Minton Playhouse en Harlem a fines de los años treinta y principios de los cuarenta, Monk participó en jams con otros músicos jóvenes como Charlie Parker y Dizzy Gillespie, que eran la vanguardia de la naciente revolución del bebop. Su seminal composición “’Round Midnight” fue grabada por primera vez en 1944 por la orquesta de Cootie...

Record Contributed By

National Portrait Gallery

Record Harvested From

Smithsonian Institution