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Oral history interview with Frank S. Okada, 1990 Aug. 16-17

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@ Archives of American Art

Johns, Barbara Bunce, Louis Charles, Ray Chin, Frank Davis, Sammy Derbyshire, Leon Dusanne, Zoe Horiuchi, Paul Inada, Lawson Fusao Ivey, William Jones, Quincy Kusama, Yayoi Martin, David Stone Nomura, Kenjiro Okada, John Peck, James Edward Shahn, Ben Tobey, Mark Tsutakawa, George Cornish School of Allied Arts (Seattle, Wash.) University of Oregon Cranbrook Academy of Art

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Washington (State)87 Pages, TranscriptOriginally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 38 min.Transcript available on the Archives of American Art website.An interview of Frank Okada conducted 1990 Aug. 16-17, in Seattle, Wash., by Barbara Johns, for the Archives of American Art Northwest Asian American Project. Okada discusses his parents' background; his family including his brothers, John, author of "No-No Boy," and Charlie, a graphic designer; traveling to Japan for the Pacific Northwest Artists and Japan exhibition; being in an internment camp; painting in Eugene, Ore. and Seattle, Wash.; his painting techniques; studying under Leon Derbyshire; his connection with the jazz scene in Seattle in the late 1940s and 1950s including musicians Sammy Davis, Ray Charles, and Quincy Jones; attending Cornish School of Art, Seattle; meeting Mark Tobey; comparision of his painting style to Tobey's; his stint in the Army; attending Cranbrook Academy of Art and studying with painter Fred Mitchell; his Whitney fellowship in New York; study of Japanese, Chinese, and Zen paintings; working for Boeings in the early 1960s; traveling to France on a Guggenheim; teaching at University of Oregon in Eugene; his minimalist work; influence of Japanese art in his painting. Okada mentions Lawson Inada (Asian American poet), Frank Chin (Asian American playwright), artists David Stone Martin, James Edward Peck, Yayoi Kusama, George Tsutakawa, Paul Horiuchi, Ben Shahn, Kenjiro Nomura, Louis Bunce, Bill Ivey, and art gallery owner Zoe Dusanne.Quotes and excerpts must be cited as follows: Oral...

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Smithsonian Institution